The layout is sensible, and the controls are intuitive, entailing at most one level of drop-down/cascading menu selections. The overall GUI user-interface design of Pianoteq is straightforward and uncluttered.
#Pianoteq pianissimo download#
If you like, you can download those files here and here and upload them into your copy of Pianoteq. SCL scale file with 110 cents per equal-tempered step in an 11-step-per-octave scale resembling the Chinese bell array. bells that were found in the tomb of Marquis Yi of Zeng some 30 years ago. FXP effects-profile file that has properties mimicking the spectral analysis of the actual 433 B.C.E. In the case of the 11-TET Chinese bells, I created a. MID file, with the velocity and pedaling and other commands. 1 from Well-tempered Clavier Book 1 that illustrate what you can do:Įach of these was created by driving the same.
Have a listen to a couple of MP3 clips of the Prelude No.
#Pianoteq pianissimo manual#
This CMT post aims (a) to express my very positive feelings about the product, (b) to provide a suggestion about some valuable uses for Pianoteq that are not covered in the product manual or in the reviews that have been published to-date, and (c) to offer advice on the minimum system configuration that will enable Pianoteq to deliver satisfying results.
After reading several favorable reviews of MODARTT’s Pianoteq virtual piano earlier this year, I picked up a copy of Pianoteq. Virtual instruments (VIs) and soundfonts keep getting dramatically better each year. Philippe Guillaume, interview with IMSTA, 2007.
#Pianoteq pianissimo full#
Twenty years later, Pianoteq was created with the aim of providing full control over the piano sound.” But it was too early to develop such a device as there were no computers available with the required processing power and speed. I started dreaming of a device that could allow such manipulations of the sound. ‘How could I accomplish this?’ I asked myself. For example, when voicing a real acoustic grand, you have some control of the timbre, but cannot decide to simply increase the 6 th overtone by 6 dB. I was always a bit frustrated not having full control of the sound to satisfy their requests. I have also worked for numerous concerts and music festivals in Toulouse and the surrounding region, preparing concert grands for great artists. As a piano tuner, I worked for numerous piano shops in Toulouse and then I had my own repair workshop where I restored many old pianos.
But, anyway, I loved the piano so much that I wanted to work with pianos, and that’s why I became a piano tuner. After years of practice, there are some that I could play, but not the one I always wanted to play: Etude No. I remember how fascinated I was the first time I heard somebody playing the Etudes of Chopin-and of course I wanted to play them too. I started learning the piano at school when I was eleven years old. And I would be lying if I didn’t say I was impressed at just how closely MODARTT has gotten to the pianos I grew up loving to play.” There is that ‘It’ factor that is missing in many waveform sample libraries that helps create dynamic, believable piano sounds. I n general, Pianoteq sounds more like you are sitting in front of a real piano soundboard than any sample library does. Finally, the technician acts on the piano tuning itself, because the way each unison is tuned has a great influence on how the sound develops and decays-that is, on how the piano ‘sings’.” The technician also acts on the piano action, adjusting it in order to obtain even touch and sound from one note to another. This task is done by the piano technician who acts on the hammers by filing (shaping), softening or hardening them, in order to obtain a mellow sound when playing softly, and a bright sound when playing strongly. What ‘nice’ means depends of course on the pianist or the listener. P iano voicing consists in giving the piano a ‘nice’ sound.
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